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| Sudeshna Mukherjee |
SOFII's Blog - interesting fundraising trends and ideas from around the world
Monday, 26 March 2012
The world needs you to be excellent
Monday, 6 February 2012
How often should we ask?
Thursday, 17 November 2011
What can fundraisers learn from Steve Jobs?

By Lucy Gower.
In the 56 years he was on the planet Steve Jobs made a difference to the world. He changed the way we think about technology, from the first ever Macintosh personal computer to the development of tablet computing with the iPad. He changed the landscape of the music industry with iTunes and the iPod and led the development of smartphone technology with the iPhone. So given that making a difference is a fundamental of fundraising, I’ve picked out some of Steve Jobs attributes that I think you can apply to make a difference to yours.
Focus
Steve said, ‘Focusis saying no to a thousand things.’ Your efforts should focus on the activities where you will make the most difference. So perfect the art of gracious and firm rejection because saying no to the activities that won’t help you achieve your targets is as important as saying yes to the ones that will.
Passion
Steve did what he loved. He believed that the only way you do great work is if you love what you do. As a fundraiser you have to be passionate about your cause. Sometimes, after a rejection letter from a funder, a difficult conversation with a volunteer, or a pitch that fell flat it can be easy to lose sight of why you do the job you do. So you need to build up a personal collection of inspiration to remind yourself why you are here. Make time to visit or call your beneficiaries and see the difference you are making. Collect stories and write them down, share them at team meetings, refer back to them, keep those special thank-you letters somewhere close. It’s as important for you to know that you are making a difference as it is for your donors. And if you can’t get passionate about what you are doing you are in the wrong job.
Make connections
In his 2005 commencement speech Steve talks about joining dots, or making connections. He tells a story about how dropping out of college gave him the opportunity to drop into classes he was interested in; the courses he was passionate about. He joined a calligraphy class. At that point in his life calligraphy had absolutely no practical application for Steve, it was only 10 years later when designing the first Macintosh it came back to him. Personal computers might not have the wonderful typography that they do today if he hadn’t been captivated by that calligraphy class.
Steve said, ‘Part of what made the Macintosh great was that the people working on it were musicians, and poets, and artists, and zoologists, and historians who also happened to be the best computer scientists in the world.’
You can only join the dots looking back. So it’s important that you deliberately make connections now, as the more experiences you have, the more you will be able to combine to bring new perspectives to your fundraising.
Perfection
Steve was a perfectionist. I don’t think it’s possible to be perfect in every area of your work, so focus on the things you do well and then be the very best at them. Play to your strengths. Aim to do at least one thing better than anyone else, for example, thanking donors, running events, or developing volunteers. Tweak other organisations imperfections to make them perfect for you, Steve did.
Prototype
Despite Steve’s quest for perfection, Apple release versions of non-perfect products that they test with their customers and are then quick to make changes and improvements based on customer experience. How many of your projects fail to get off the ground because you are waiting for perfection? Life isn’t perfect and neither are we, so expecting that a new product or service will be perfect the first time makes no sense. Test on a small scale, learn and make changes. Aspire to perfection and value your journey to get there.
Failure
He got fired from the company that he started. That’s pretty rubbish by anyone’s standards and it was very public. But he bounced back, started two companies, Pixar and NeXT, which somewhat ironically were bought by Apple and facilitated Steve’s return. So he failed. But more importantly he had determination, resilience and some may say arrogance to brush himself off and get back in the game. Your fundraising may not always work out first time round, even some of the biggest successes took years to get off the ground. Macmillan Coffee Morning started in 1990 and took years to establish. The key is being brave enough to try something new and to accept failing as important learning to drive your fundraising onto greater success.
Simplify
Apple product design is about simplicity. No product is any more complicated than it has to be. How often are you working on a project that seems over complicated? Keep projects simple, keep messages simple. Think about campaigns like Make Poverty History and the NSPCC’s Full Stop Campaign.
Tell more stories
Steve was a great storyteller; he used visuals and descriptive words to take people on a journey into the world of possibility. He didn’t describe the product, he painted a picture of the benefits, the iPod isn’t an MP3 player. It’s a thousand songs that fit in your pocket. That’s what you must do for your donors. How can you tell stories to help donors visualise the world of possibilities that they are helping to create?
Insight
‘If you ask people what they want, they will ask for a faster horse.’ OK so Henry Ford said that, but I think Steve would have said it first if he had been born in time. Steve disagreed with focus groups because he felt people would not have the ability or vision to know what they would want. Instead he looked to the future to what people didn’t know they wanted yet, and created the need. Did you know 10 years ago that you needed an iPod? No me neither – but turns out I did. How can you get real insight about what your donors want that will help you develop what they will want in the future?
Customer experience
Exceptional customer experience is a core element of Apple’s brand. Buying a product, either online or in store, is designed as an ‘experience’. Apple is a loved and trusted brand, with real brand loyalty. Would your donors queue at your office for your latest fundraising pack, like Apple customers queue up at Apple stores for the release of the next iPhone? How do you develop an equivalent donor experience and keep donors coming back for more?
Think differently
In a world in which we are bombarded with information, the only thing that sets you and your organisation apart from your competition is the ability to interpret that information in a different way from everyone else. Steve thought differently and, for me, this advert from 1997 sums it up.
Tuesday, 27 September 2011
Can we say the F word please?
By Lucy Gower.
Edison said, ‘I have not failed. I have found 10,000 ways that don’t work’.
And if Edison hadn’t kept discovering all those ways that didn’t work, it may never have led him to discover a way that did. The electric light bulb might not have been invented. Imagine how different life would be.
The point is that failure is part of life; it’s part of the process that enables us to discover new things and therefore it’s part of innovation. If something is genuinely new it’s likely to fail because no one has done it before. You cannot be innovative without failing. So get used to it. In fact I think deliberately failing should be part of any innovation programme.
Charities are especially afraid of taking risks. They are afraid of being seen to waste donors’ money. I would argue that if an organisation does not take risks and does not invest money in the development of great ideas for increasing the size and scale of its work, then it is not doing the very best it can for its donors, or its beneficiaries. I actually think that, in a competitive marketplace, unless you have something that makes you different from the competition it’s more risky to be the same as everyone else.
Because we don’t like to share failure it’s really hard to find examples of where things have gone wrong. Failures tend to get swept under the carpet and for every failure that isn’t shared a huge amount of learning is wasted.
One person who is bold enough to share failure is Richard Turner, former director of fundraising at ActionAid. He told me about ActionAid’s ‘What a Feeling’ campaign that failed earlier this year. He wanted to say what happened and what was learnt so that other organisations don’t repeat the same mistakes.
What a feeling
On blue Monday, the second Monday in January and officially the most depressing day of the year, ActionAid in the UK launched ‘What a Feeling’. Prompted by the high attrition rates of face-to-face recruitment, the aim of the campaign was to attract new supporters and get them really involved.
The idea came from meeting supporters. The team deliberately got a diverse group together to hear them talk about ActionAid. What stood out was the way they spoke about what they gained. This tallied with the anecdotal comments from supporters when meeting fundraisers; as a result of donating, fundraising, or campaigning for ActionAid, supporters would frequently describe their feelings. Therefore it was decided that this would be the basis of the campaign - real supporters sharing their real feelings to encourage other people like them to sign up to help ActionAid.
The campaign ran over two months and focused on London and the South East of the UK. It used a mix of media ranging from press, inserts, adverts on the London underground, radio, digital, social media and PR. The supporter care team was trained in social media specifically for the campaign.
Check out the What a Feeling video used below

Despite the conviction of Richard and the fundraising team that they were onto something great, the campaign failed. ActionAid didn’t reach the targets for sign ups to new direct debits. They missed them by a mile. But there were some interesting results, for example a surge in website traffic and take up of people wishing to go on overseas challenges (called First Hand Experiences) at a time many charities have reported a decline. But this was not enough.
Why did What a Feeling campaign fail?
• More time should have been spent on understanding why attrition was increasing and the cost of acquisition was rising (i.e. the underlying causes not just acknowledging the symptoms).
• The general public simply didn’t believe that real people were talking about their feelings (they were).
• The campaign didn’t have a strong enough link to ActionAid’s work and the people it works alongside.
• Great conversations took place on the phone to follow up leads, but the campaign simply didn’t generate enough leads in the first place.
• There was internal pressure to deliver the campaign, as well as to bring in income in the short term. Financial measures were applied but in retrospect the campaign should have been measured for return on engagement rather than the traditional return on investment. It was more a relationship-building exercise than a way to raise more money.
• ActionAid started big, an initial smaller scale approach to inform and develop a larger campaign in the long term would have worked better.
• Because of quick timescales there was less buy in from stakeholders, both by senior staff and those responsible for delivering it.
What did you learn?
• It is crucial to spend time really understanding the challenge you are trying to solve, time spent at the beginning of a campaign will pay off hugely in the end.
• Minimise risk by testing and piloting on a small scale, make refinements before scaling up.
• Be clear on what you are trying to achieve, the What a Feeling campaign was about engagement but it had immediate financial measures. In hindsight, based on those measures, it was set up to fail.
• Build failure, refinements and changes into the development process.
• Get buy-in for your idea and spend time getting the right people on board.
• You need individual and organisational support to make ideas happen.
• The campaign could have been more strongly rooted in the cause and the people that ActionAid work with.
It really is all about engagement
Subsequently Richard did some reading on how marketing is changing which gave some more food for thought about the What a Feeling campaign. He says, ‘I now understand the full nature of the problem. I feel a bit like a doctor who having heard of the symptoms now knows the cause.’
Simply put, Richard had a revelation: the way people decide how to spend their money has changed. Shouting about your product and broadcasting about you is not what customers or donors want to hear. Think about it. Nowadays a lot of people shop online and before they buy they ask their networks or will do a search and, even then, most of them look at customer recommendations. This is why the days of traditional forms of broadcast marketing are in decline and the interactivity of social media networks is becoming increasingly important.
Why should giving to charity be any different? People want to know how what you do is relevant to them and how it will make them feel to be involved; and most importantly how it will help them to feel good. It’s now about connection and being recommended. Your brand, your reputation and what you stand for are more important than before. You have to live and breathe your brand values.
Your people are your brand. So ActionAid were onto something with What a Feeling.
The challenge now for ActionAid is to learn from What a Feeling and to develop the concept into a successful campaign. Often people and organisations want to forget about failure. That is risky. This is the biggest failure of all. Failure gives us all a springboard for success. What we need to do is carry on and even fail again.
I’d like to give a heartfelt round of applause to Richard for being so open about the failure of a campaign he was very much involved in. I hope that sharing his experience will help us all learn, as well as encourage us to be more open about failure in order that we can ultimately all fundraise more effectively for the causes that we are passionate about.
Does anyone else want to be brave and share his or her stories of failure to help prevent others from duplicating your mistakes?
You can follow Richard on Twitter @ifundraiser or his blog at http://ifundraiser.wordpress.com/?'
Thursday, 4 August 2011
A checklist to help supercharge your fundraising appeals
By Damian O’Broin.
Checklists are great. They can make onerous tasks more manageable. And in a busy agency or fundraising department they can be a lifeline to ensure that work is done properly and to the highest standard.
So today I thought I’d share with you two of the checklists we use at Ask Direct to ensure that the campaigns we produce are as effective and compelling as possible.
If you use these 12 points to review the campaigns you produce, it will supercharge your fundraising appeals.
I’ll be honest, though. It can be very difficult to create appeals that tick all 12 of these boxes. We rarely manage to do it. But we’re always trying to get there.
I should also say that we didn’t invent these. We stole them from people who are far cleverer than we are.
The first checklist we stole from Patrick Renvoisé and Christophe Morin, who wrote a book called Neuromarketing (Thomas Nelson, Inc, USA, 2007). In it they argue that the part of brain responsible for action, what they call ‘the old brain’, only responds to six stimuli. And if you want to motivate people to take an action – such as giving money to your cause – you need to use these stimuli.
So here’s checklist no. 1, the Neuromarketing checklist.
1. Self-centred
The old brain only really cares about itself. So you need to make sure that your fundraising appeals are about the donor, not about your organisation. The donor should be the centre of the story, the hero of the piece. Your organisation is merely the trusty sidekick who helps her achieve whatever remarkable thing it is that you’re asking for her help with.
2. Contrast
Our old brains are finely attuned to contrast, difference and change. We notice the new. Does your appeal surprise? Is it unexpected? And does it move between the bad – whatever problem you’re trying to solve – and the good – the positive outcome you’re hoping for?
3. Tangible
The old brain isn’t good at abstract concepts. It likes things to be tangible and concrete. It doesn’t want to end poverty, but it would quite like to stop a child from going to school hungry. It doesn’t get environmental justice and sustainable development, but it would like clean drinking water and not to have an incinerator built next door.
4. Beginning and end
Our old brains pay most attention to what comes at the beginning and the end. The middle tends to be a bit of a mush. Think of your favourite novel. You can probably recall how it starts and how it ends, but I doubt you could relate in detail everything that happens in the 300 pages in between. So make sure the most important information is at the beginning and end of the appeal. And make sure there’s a good story to tie the rest of it all together.
5. Visual stimuli
Apparently the old brain doesn’t even understand words. So make sure you have strong visual stimuli to engage people and move them to action. Wherever possible use images of people, ideally looking straight at the camera.
6. Emotions
As they say in their book, ‘…researchers have demonstrated that [we] make decisions in an emotional manner and then justify them rationally.’ If you want people to take action, you have to engage with their emotions. Make sure your fundraising appeal packs an emotional punch. If it doesn’t, it shouldn’t go out.
So that’s the first six. They’re the easy ones.
We also stole the next six. They come from Robert B Cialdini, author of Influence: The Psychology of Persuasion (William Morris and Limited, Inc, USA 1993), who identified six ‘weapons of influence’. Here they are.
7. Reciprocation
Give something. Someone who receives a gift feels obligated to return the favour. This is why premiums – stickers, labels, pens – lift response. But this a lever of influence you need to use with care and prudence. You don’t want a sense of obligation to descend into resentment. Perhaps there are better things you can ‘give’ to your donor, such as special access, insider information – or even gratitude – that would cement and deepen the relationship and a shared sense of obligation to each other.
8. Commitment and consistency
Once people publicly commit to something, they tend to stay consistent with that commitment. I came across a great example of this recently at the Institute of Fundraising National Convention, when Craig Linton of the Greater London Fund for the Blind showed their donor pledge form. New donors area asked to sign a pledge (not compulsory) to ‘continue my regular gift for as long as I can afford it. I reckon these few words will really help to reduce their attrition rates.
9. Social proof
Social proof is hugely influential. We are surprisingly herd-like and will often take our lead from others. How can you demonstrate social proof in your appeals? One technique that has worked in telephone campaigns is to tell donors how much other people gave to the appeal. The donor is very likely to follow suit. Try to think of ways of showing the breadth of support for your cause. If people know other people ‘like them’ – people of the same gender, or from the same locality – support you, they’re more likely to do so themselves.
10. Liking
We prefer to say yes to people we like. So, is your organisation likeable? Do you seem human, genuine, friendly, caring? Do you demonstrate this with excellent donor care?
11. Authority
We are also remarkably easily swayed by authority. Do you come across as authoritative? Do you sound like you know what you’re talking about? Are you experts in your area? Interestingly, one way to convey this is by talking in detail and specifics, using concrete language. The more detail you provide, the more vivid your storytelling, the more likely it is that your donor will believe you. More on that here.
12. Scarcity
Scarcity and exclusivity are powerful motivators. But they can be hard to apply in general fundraising appeals – you often want as many people as possible to contribute. But you should always consider ways to employ scarcity. A J Leon, again at the Institute of Fundraising National Convention, had a great example where he limited the number of donors to a project to a hundred. And these 100 people got special access and benefits. It was a runaway success. You can watch it here
So there you have it: twelve things to aim for in your next fundraising appeal.
Thursday, 14 July 2011
Measuring your fundraising effectiveness
By Kirsten Bullock
Have you ever told someone you were a fundraising professional and they said, ‘oh, you’re a professional beggar then’. It makes me cringe just to type those words. If you’ve been in the field for a while, you know that nothing could be further than the truth. Arm twisting, begging and other ways to manipulate a gift out of someone might work once, but it’s not a way to build long-term, sustainable relationships with those people who will join with you to accomplish your organisation’s goals.
At its best, fundraising is about building long-term partnerships on behalf of the organisation. At its worst, it’s about a transactional approach that results in a one-time gift. Unfortunately, too often it falls into the latter category. And too often, the only measurement we look at is how much money has come in. While that’s certainly a good indicator to track, it’s definitely not the only one that should be followed.
Now the Association of Fundraising Professionals in the USA (AFP) have introduced growth in giving (GiG) reports, based on results from their fundraising effectiveness project (FEP). Just in case you’re not familiar with the fundraising effectiveness project, here’s the summary from AFP’s website:
The goal of the fundraising effectiveness project (FEP) is to help grow philanthropy’s share of the GDP. It pursues this goal by providing nonprofits with tools for tracking and evaluating their annual growth in giving. Growth in giving is the net of gains in giving minus losses in giving. Nonprofits raise more money by investing more money in growth-oriented fundraising strategies that both increase gains and reduce losses. The FEP is focused on ‘effectiveness’ (maximising growth in giving) rather than ‘efficiency’ (minimising costs). It conducts an annual survey and publishes gain/loss statistics in a yearly report through a partnership between AFP, the Urban Institute and AFP’s donor software workgroup.
That definition seems a little wordy to me, so my understanding of the project is that it helps people better measure their fundraising success. It provides a format so that you can compare your year-over-year results and look at indicators for long-term success, rather than just money.
While putting together the report can be a little complicated, the numbers it measures are fairly easy to explain. Gathering the numbers usually requires a good donor management software programme. The good news is that the members of the AFP donor software workgroup (who are partners in this ongoing study) have said that they would build in a report to give you this information.
First, it looks at new donations that are coming in. This could be in the form of new donors, returning donors (those who had stopped giving previously) and donors who gave higher gifts than in the previous year.
Then it compares those numbers to areas of loss in donations. This includes donors who gave less this year than last year, those new donors who gave last year but not this year and those donors (who had given for two or more years) but did not give this year.
AFP, at www.afpnet.org/FEP, has provided tools to help you develop these charts for your organisation. They are available as a service to the community, so you are not required to be a member to access them. Here’s a direct link to the page that provides a template for the report.
All that is well and good, but the most important thing is what the information helps you to accomplish. First, it provides a format for a report you can take to your board to help them understand what the total amount raised means. Next, it can help you measure how you’re doing against other participants in the study. Third, it helps you identify those areas you’re struggling most in – and address them appropriately. And finally, my personal favourite, it will provide validation regarding where you’ve done well – and gives you a reason to celebrate.
The 2010 fundraising effectiveness survey report found that, from 2008 to 2009, respondents reported gains of 45 per cent in new funds coming in. Unfortunately, this was offset by losses of 61.1 per cent, resulting in an overall loss of 8.1 per cent in gifts. The report, in PDF format and available here provides a detailed breakdown (just in case you’re as addicted to data as I am).
Are there similar projects in your part of the world? I’d love to hear about them.
Friday, 8 July 2011
Making it real

by Lucy Gower
We know that people make decisions based on emotion. Great fundraisers deliberately seek ways to develop emotional connections between their donors and their cause. This is usually achieved in a number of ways, through storytelling, use of language, images and film.
If you need any evidence check out the story of the Explore the Bay campaign for Save the Bay that raised $11 million. Fundraising board members Joan Abrams and Kate Kilguss discovered that reconnecting people to their own relationship to the Bay was the key to inspiring them to give.
David Brooks, author of The Social Animal (Random House Inc, USA, 2011), wrote: ‘Reason is nestled upon emotion and dependent upon it. Emotion assigns value to things and reason can only make choices on the basis of those valuations.’
We also know that fundraising is hard. Fundraising is becoming increasingly competitive with thousands of ‘good causes’ trying to attract income from limited resources. Fundraising is a business discipline and, like any business, charitable organisations must be constantly innovating and developing new ideas to keep ahead of the competition. So, the more creative you are in finding ways to connect donors emotionally to your cause, the more successful your fundraising will be.
Storytelling, good use of language, images and film work fine, but is fine good enough? If you can get your donors to experience your cause in a physical way it will be even more powerful.
‘It’s never enough just to tell people about some new idea. Rather, you have to get them to experience it in a way that evokes power and possibility. Instead of pouring knowledge into people’s heads, you need to help them grind a new set of eyeglasses so they can see the world in a new way.’
John Seely Brown, Seeing Differently: Insights on Innovation (Harvard Business Review, USA, 1997).
You have to help people have an experience. There are many ways to do this. Below are some of examples to get you thinking.
Masaru Ibuka, Sony’s then honorary chairman liked carrying his bulky cassette player with him when he travelled. It was rather cumbersome so he instructed Sony engineers to make it smaller. At that time portable cassette players were predominately used by journalists to record interviews, no one understood why anyone would want a cassette player that played and didn’t record. When the Sony Walkman was launched in 1978, Sony employed actors to walk, cycle and, apparently, skateboard around Tokyo demonstrating the use of the Walkman in action. Journalists were taken to a park where they, on their very own Walkmans, could experience the quality sound and see other people using the device. They felt it. It was made real for them. The rest is history.
Chip and Dan Heath tell a compelling story in their latest book, Switch (Random House Inc, USA, 2011), Chip and Dan Heath tell a compelling story of a manufacturer wasting sums of money due to poor purchasing. An employee, desperate to make management understand the waste, hired a summer intern to investigate just one product and the prices that were paid for it. The intern gathered data on the prices paid for standard gloves that were used in all the factories. The result was 424 different gloves and where there were like for like gloves, the cost of these ranged from $5 to $17. At the next board meeting the 424 pairs of gloves were placed on the boardroom table with price tags on. The board members understood. It made the waste real for them in a way that a PowerPoint slide or a spreadsheet would not have done.
Plan International pioneered child sponsorship 70 years ago and it remains a key part of their fundraising today. As a child sponsor with them and other sponsorship agencies, such as ActionAid, you can go and visit your child in his or her community and see the difference your donation has made. Sponsors can record and write about their experience. You can learn about The Bramelds trip to Ghana here. It certainly made it real for Lynne and Paul Brameld. It also helps make it real for other child sponsors like them.
Guide Dogs for the Blind hold a blindfold walk where participants are sponsored to walk blindfolded, with the help of a guide dog. I think there is so much more potential for this concept. It helps people understand the crucial role of a guide dog. It makes it real.
Hunger affects a billion people worldwide. WeFeedback asks you to think of your favourite meal and donate that value to help feed others. For example, steak and chips is calculated at $23 that, the steak and chip eater is informed, can feed 92 children. It makes it real.
Unseen tours are walking tours led by homeless guides. They offer a historical yet hitherto unexplored perspective of London, as perceived through the lens of homelessness. The tours include the guides’ own stories and experiences.
Making it real is about helping your donors physically experience your cause. It involves thinking just that bit harder about how to connect your donor emotionally. Whether you make a prototype, or gather real evidence, or play out the real situation, or compare daily lives of your donors and beneficiaries, the more you can do to make it real and emotional, the more connected your donors will be. In a competitive marketplace spending time making it real will make your donors more committed and your fundraising more successful.
If you liked making it real you may also be interested in:
Art of Woo, G Richard Shell and Mario Moussa (Capstone Publishing, UK, 2008).
Enchantment, Guy Kawasaki (The Penguin Group, UK, 2011).
Switch, Chip and Dan Heath (Random House Inc, USA, 2011).
The Social Animal, David Brooks (Random House Inc, USA, 2011).



